Sunday, December 21, 2014

PK : A Quick Review



PK, another fine movie from Rajkumar Hirani. Heavy message presented in a light manner. So many messages are conveyed symbolically, and so many are conveyed directly. Every dialogue hit me hard. The movie leads to lot of introspection.
Aamir Khan (PK) plays an alien who is on earth (Rajasthan) to research about the human beings. The moment he lands on earth, all naked, with a child like curiosity, his ‘remote’ to send signals to his planet is being snatched by a person. The scene shifts to a foreign land where Anushka (Jaggu) is seen to be negotiating for a ticket to witness the show of Amitabh Bachchan reciting Big Bachchan. Anushka falls in love with Sushant (Sarfaraz), a Pakistani boy. Later Anoushka is shown working for a TV news channel.
The encounter between Jaggu and PK is interesting, where PK is distributing the pamphlets in Metro Rail (New Delhi) for ‘Missing Gods’. The scenes are hilarious as well as interesting.
Digs are taken on so many subjects. The desperation of a news channel to even make a depressive dog’s story as breaking news is shown. PK’s role forces one to think. He comes up with so much of innocence, who has altogether a different outlook towards things and life. He shares his journey of learning on earth to Jaggu, which has so many elements. He collects dress for himself from the ‘Dancing Car’. He slowly understands that all the human beings have the same type of skin but their dressing, style makes them look different. His amusement on the diversity is also beautifully depicted. He also feels that people on his planet are so truth-loving and non-complicated, but on earth, things are just not in order. On his planet, people don’t talk, they just touch the other person and get to know what is on that person’s mind. But on earth, PK feels that people even after communicating directly don’t understand one another. PK gets confused at the usage of a single word for expressing different feelings.
PK’s efforts to buy carrots with Mahatma Gandhi’s photograph in newspaper, book cover etc. and later with the currency forces us to think – is actually Mahatma Gandhi alive only on currencies?
He gets amused by seeing God’s houses in every street and that too with so much of diversity. In PK’s language, God has managers who are running different companies (different religions) and have different set of rules for running the company. There is a scene, where PK goes desperately from God to God, temple to church to mosque to gurudwara, so that he is able to get back his lost remote. When he understands the diversities of the religion, he tries to check, whether God stamped children as Hindu-Muslim-Christian- Sikh. A great insight. Absolute delight to watch these scenes.
PK talks of two Gods: One is the God who made us and another one is the God whom we made. PK doesn’t question the belief in God but he definitely questions the blind faith upon God-like people for whom it is another way of money-making business.
At one point of time, PK is seen wearing all sorts of religious chains like, Rudraksh, Cross etc. which he later throws off saying that there is only one God who does not put any conditions on the mankind.
Aamir’s goblin-ears, wide eyes and his running with arms straight by his side and palms stuck out are very much noticeable. Anushka is effortless, Sushant, Saurabh Shukla, Sanjay Dutt and Boman Irani are also good in the movie.
PK is hilarious, leaves you in a reflective mode.

Rating: 4/5 (Very Good)

Saturday, November 22, 2014

Review: Happy Ending


Cast: Saif Ali Khan (Yudi and Yogi), Ranvir Shorey (Montu), Armaan (Govinda), Ilean D’Cruz (Aanchal), Kalki Koechlin (Vishakha), Preity Zinta (Divya)
Genre: Romance, Comedy
Direction: Raj Nidimoru, Krishna DK
Production: Saif Ali Khan, Dinesh Vijan, Sunil Lulla; Production Company: Illuminati Films
Music: Sachin-Jigar
Distribution: Eros International
Release Date: 21st November, 2014
Language: Hindi
Duration: 2 hours 16 minutes
Happy Ending, is a Rom-Com film by Raj Nidimoru, Krishna DK. Deals with the story of individuals wanting to have fun of romance, but having commitment phobia. This plot has been experimented many times in the past, some have worked and some have not worked. And this movie Happy Ending lacks romance as well as comedy. It has comedy in bits and pieces, whereas romance as such is not at all felt throughout the movie.
Yudi (Saif Ali Khan) is a one-time wonder writer of a book. After writing the book, 5 ½ years have gone by and he had 8 ½ girlfriends also. He is living off royalties. He believes in enjoying life with fame, money and girls. He breaks off with the girls when they start proposing (The very first scene has Kareena proposing Saif, followed by his walking out of the relationship). Montu (Ranvir Shorey), Yudi’s friend loves to party with him, but he has to actually seek permission from his wife for the same. And there is Yudi’s alter ego synonym Yogi (Saif Ali Khan) who keeps questioning Yudi’s every action, throws words of wisdom. Vishakha (Kalki Koechlin), is madly in love with Yudi. She puts a Tracker app on his mobile so as to track his whereabouts. Yudi feels suffocated in her love and keeps avoiding her.
Yudi’s king-size life gets a blow when his vehicle is towed away by the publisher, and his contract has been given to Aanchal Reddy (Ileana D’Cruz).
Yudi is helped by his publisher friend to write a story for a film with Armaan (Govinda) in the lead. Armaan explains to Yudi that he wants a ‘Kick-Ass’ script for his movie. Armaan wants a Romedy which can become a blockbuster all over the world.
Yudi tries to flirt with Aanchal and learns that she is also commitment-phobic (who actually churns out romantic best sellers but does not believe in the concept of love). Rest of the movie revolves around, how Yudi and Aanchal approach their relationship. They also spend time together to write stories. What is it that brings Aanchal and Yudi closer (probably nothing)? What happens when two commitment-phobic people get together in life? Is there any Happy Ending in their relationship?
Happy Ending movie lacks the passion. First half is dreadfully boring. Saif Ali Khan lacked the charm he had in Love Aaj Kal, Hum-Tum. Ileana definitely looks very pretty on screen, but that is it about her performance. Kalki has done justice to her obsessive character. Divya (Preity Zinta), Yudi’s ex-girl friend has nothing much to do. Govinda gives some laughter moments with his cosmetic surgery and six pack abs scene. Ranvir is absolutely wasted. Music is not at all impressive. Movie has been mostly shot at Los Angles, San Francisco
Happy Ending lacks the punch of Happiness and Passion. Doesn’t have the depth.
Rating: 2/5 (Average)


Wednesday, November 19, 2014

Preview of Bollywood Movies releasing on 21st November, 2014

Gollu aur Pappu, Happy Ending and Titoo MBA 


Gollu aur Pappu : It is a comedy film by Kabir Sadanand. Vir Das, Kunaal Roy Kapur, Dimple Kapadia star in this movie.

Happy Ending : It is a Romcom directed by Raj Nidimoru and Krishna DK. Saif Ali Khan, Ileana D’Cruz, Kalki are part of the starcast.


Titoo MBA : This movie is directed by Amit Vats. Nishant Dahiya, Pragya Jaiswal play lead roles. 

Saturday, November 15, 2014

Review : Ormayundo Ee Mukham (ഓർമ്മയുണ്ടോ ഈ മുഖം)



Cast: Vineeth Sreenivasan (Gautam), Namitha Pramod (Nithya), Aju Varghese (Apoorva), Mukesh (Doctor), Soumya Sadanandan (Neetu), Rohini (Vasundhara), Lakshmi (Grandmother), Idavela Babu, Raveendran, Bhagat Manuel
Genre: Romance
Direction: Anvar Sadik
Production: Jaison Elamgulam
Screenplay: Anvar Sadik
Story : Anvar Sadik
Cinematographer: Jithu Damodar
Music : Shaan Rahman
Production Company: RJ Creations and Blue Planet International London
Release Date: 14th November, 2014
Language: Malayalam
Duration: 2 hours 20 minutes

Ormayundo Ee Mukham (ഓർമ്മയുണ്ടോ മുഖം), is a very sweet romantic movie by Anvar Sadik. The story has been conveyed in a very simple and unexaggerated manner. One of the lead protagonist Nitya’s name and her profession of being a Sand-Artist is thoughtfully chosen. Nitya in Sanskrit means ‘eternal’. Can love be eternal? Can love be painted beautifully in the canvas of heart for ever or it is going to be one of the image drawn on the sand which can be erased completely? Anvar has melodiously told us this soft love story.

The film begins with a sand-art by Nitya followed by her accident. The aftereffect of the accident is that Nitya’s memory retention turns out to be for short-term of 24 hours. Nitya develops her own techniques to handle this memory loss.

Gautam (Vineeth Sreenivasan, MBA from UK) is supporting his businesswoman mother Vasundhara (Rohini), but is quiet absent-minded as well. His grandmother (Lakshmi) and sister also stay with him. Grandmother is absolutely modern in her thoughts and appearance, who still believes in the whole concept of love, and soul mates. Vasundhara is keen to get Gautam married to her niece but Gautam is not at all interested.

Nitya (Namitha Pramod) enters into Gautam’s life like a cool breeze. Their meeting was incidental. Both Nitya and Gautam could feel lot of comfort and enjoy each other’s company during their so called ‘first date’ but Alas! Nitya forgets every bit of those wonderful moments the next day. Gautam is determined and confident that he would be able to inscribe his face in her heart one-day. Nitya’s sister (Soumya Sadanandan) and Gautam’s friend / colleague Apoorva (Aju Varghese) also try to help Gautam in winning over Nitya’s friendship / love.

Rest of the movie projects how Gautam tries to win over Nitya first as a friend and then as his soul mate? How challenging their journey was? How Guatam tries to convince his mother about his love?

Star cast is so appropriate as per the roles. Vineeth has once again given a very good performance. He is so natural, spontaneous. Namitha is also good and brings lot of energy to the character. Rest of the cast viz. Rohini, Mukesh, Lakshmi, Soumya Sadanandan are all good. A special mention in regard to Aju Varghese and his  comical angle to the plot.

Philosophy of happy life is also discussed in the movie: to retain every good moment in the hard disk of heart/mind and leave / erase the negativities behind and start afresh every day.

Ormyundo Ee Mukham (ഓർമ്മയുണ്ടോ മുഖം), is a soft musical romantic movie which is going to leave a positive and happy impact on your heart.


Rating: 3.5 / 5 (Good +)

Friday, November 14, 2014

Review: Kill/Dil



Kill / Dil, a film by Shaad Ali for the banner of Yash Raj Films, although a clean movie with good star cast, doesn’t say a story good enough. Most of the movie is shot at Delhi/NCR location. In Gulzar’s poetry rendition, the story goes like this:

Tar-cola ki ek sadak par do saaye hain
Andhere ki nazayaz aulaad hain shayad
Ghoonth ghoonth khoon peekar dono pale hain shayad
Paaon tale zameen hai, na sar pe aasman hai
Zindagi kuchal gayi, ye unki daastan hai
The movie is about two shooters Dev (Ranveer Singh), and Tutu (Ali Zafar) who were picked up from the garbage when they were infants by Bhaiyaji (Govinda), a local gangster. As children, Dev and Tutu never got to hear ‘Lori’ but the gun shots. Both grow up to become Bhaiyaji’s henchmen who follow his every instruction blindly. Then enters into the scene Disha (Parineeti Chopra). She dropped out of MBBS to be a social worker who rehabilitated criminals. The movie moves further in the predictable format. Dev falls in love with Disha. Dev, Tutu hangout with Disha and friends (most of the hangout moments are with songs).
The trouble begins, when Dev wants to mend his ways since his dil does not want to kill any more. He has to make choice between two – Dil and Kill. What does Dev opt for? How does Bhaiyaji respond when he come to know in regard to Dev’s love for Disha? Whom does Tutu support – Dev’s love or Bhaiyaji’s orders? How does Disha get to know regarding Dev’s job? How the story moves towards its climax?
Govinda as an antagonist is good but the script could have been stronger for his character. Ranveer generally puts lot of energy into the characters he plays, but unfortunately, this character of Dev did not require the same. Still, certain scenes, where 5th class fail Dev rushes to a college (Galgotia in Greater Noida) to enquire the meaning of LOL and other acronyms do generate laughter. Ali Zafar has maintained a very blank face in the movie whereas he generally is very expressive. Parineeti is absolutely wasted in this movie.
Gulzar’s versification is good and meaningful.
Kill/Dil is a regular predictable flick, not exciting enough.
Rating: 2.5/5 (Average +)

Thursday, November 13, 2014

Preview : Bollywood Movies releasing on 14th November, 2014





Preview of 
Kill Dil, 6-5 = 2 and Garam Hawa




Kill Dil : It is a Romantic action film directed by Shaad Ali and produced by Aditya Chopra under the Yash Raj Films Banner. Starcast has Govinda, Ranveer Singh, Ali Zafar, Parineeti Chopra.

6-5=2 : It is a Horror movie, remake of Kannada movie by the same name. Starring Niharica Raizada, Prashant Gupta, Ashrut Jain, Gaurav Paswalia, Gaurav Kothari, Disha Kapoor. This movie tells the story of six friends who went for trekking during which they encounter bizzare incidents.

Garam Hawa : After a period of four decades, this movie released earlierin 1974, has been restored and hitting the screens again across the country. This is hailed as one of the finest feature films on the travails of Partition by M.S. Sathyu. Balraj Sahni,Farooq Shaikh, Dinanath Zutsi, Badar Begum, Geeta Siddharth, Shaukat Kaifi, AK Hangal are part of the starcast.  

Tuesday, November 11, 2014

Review: Iyobinte Pusthakam (Malayalam Movie)


Cast: Fahadh Faasil (Aloshi), Lal (Iyob), Isha Sharvani (Martha), Jayasurya (Angoor Ravuthar), Padmapriya (Rahel), Reenu Mathews (Annamma), Lena (Kazhali), Chemban Vinod Jose (Dimitri), Jinu Joseph (Ivan), TG Ravi (Comrade), Sreejith Ravi (the young Comrade), Amith Chackalakal (Nizam Ravuthar), Ahebin Benson, Saritha Kuku, Nebish Benson, Sal Yusuf (Harrison), Rita Mathen (Harrison’s British wife), Aashiq Abu (Antony), Amala Paul (Guest Appearance)  
Genre: Period Drama, Thriller
Direction: Amal Neerad
Production: Amal Neerad, Fahad Faasil
Story By: Gopan Chidambaram
Screenplay by: Gopan Chidambaram, Syam Pushkaran
Edited by: Praveen Prabhakar
Cinematographer: Amal Neerad
Music: Neha S Nair, Yakzan Gary Pereira
Distributed by: A & A Release
Release Date: 7th November, 2014
Language: Malayalam
Duration: 2 hours 40 minutes

Iyobinte Pusthakam, a masterpiece Malayalam movie by Amal Neerad with great star cast and their stellar performances. It is a very intense movie, handled with great maturity. The narration is by Comrade (TG Ravi) in the year 1976 about the events which spanned across a few decades in the pre-independence period, which he had witnessed during his younger days (Sreejith Ravi). Slavery, rivalry, hatred, vengeance, shrewdness, murders, love, comradeship etc. all are projected so beautifully.

The opening scene of the movie is with a few people standing still, looking up. On being asked, the response is that they are making a movie. But the narrator says, why to look up for making a movie, just to look at life to get a story for the movie and that is how, Comrade starts narrating the intriguing story of Iyob, a slave turned master, and his three sons. A quote from Bible is worth mention here which sets the whole preamble of the movie: “It is not only the old who are wise, not only the aged who understand what is right. (Job 32: )”.

The year is 1906. Set in the backdrop of the picturesque Munnar, Harrison (Sal Yusuf, a British Planter) makes inroads to Munnar with his wife (Rita Mathen). As used to be the practice, he forces the poor people to work for him. That is where, Harrison meets  a young slave who was beaten up by Harrisson’s supervisor Thacho. Harrison encourages the young slave to give it back. Slowly Harrison earns the trust of that young slave and  rechristens him as Iyob (Lal) and makes him one of the most obeying servant. Harrison after a few years gets Iyob married off to Annamma (Reeni Mathews). Iyob and Annamma becomes parents to three kids [who grow up to be Dimitri (Chemban Vinod Jose), Ivan (Jinu Joseph) and Aloshi (Faahad Faasil)]. Rita, being fed up of life at Munnar, leaves Harrison and goes back to London. During that period, Kazhali (Lena), a nomadic, comes to the Munnar from Nilgiris and the distraught Harrisson is enamoured by this dusky beauty. Harrison makes Kazhali her mistress. When Harrisson dies of sudden cardiac arrest at Kochi, pregnant Kazhali is ousted by Iyob, and Iyob transforms himself into a master from a slave, as atrocious as Britishers. Though Kazhali cursed Iyob and his children while thrown out of the house, she continued her friendship with Annamma. Her daughter Martha and Aloshi also developed a great bond.   

The biggest blow to Iyob comes in the form of Annamma’s death. Aloshy flees to Kochi without letting anybody know when he witnessed a cruel act by his two elder brothers. Aloshy later on joins British Royale Navy and later after many years when he comes back to village to take Martha along with him, he gets astonished to find that his brothers and father have not mended their ways, rather have become more cruel. Murky currents of hatred have only grown stronger. Dimitri, a womanizer and is an abusive husband to Rahel (Padmapriya). Ivan is brutal. Martha and Kazhali were outcasts, since the villagers believed that they practiced black magic.

Aloshy seldom smiles, the only moment we see him smiling is during song sequence with Martha or at the mention of Martha. His ideologies are essentially based on humanistic values, and he never thinks twice before disowning his father and brothers for what he believes to be right. Aloshy believes that in a land ruled by anarchy, attack is the best defence.

Angoor Ravuthar (Jayasurya), a timber merchant, enters into the scene, who doesn’t get the permission from Iyob to get the timber from Munnar. This rivalry costs Iyob a lot.

Character of the veteran Communist Leader and member of the first State Legislative Assembly Rosamma Punnose and her comrades are also shown in the movie who play pivotal roles. History says that it was Ms. Punnose who laid a firm foundation for the plantation workers’ trade union movement.

How does the story unfold thereafter? How does Aloshi move further? How does he handle his ruthless brothers? Is he able to take Martha along? What happens to Iyob and his other two sons? Is Angoor able to fulfill his intentions? Does Rahel play just as a victim to her abusive and impotent husband or her role has other shades as well? The movie has the right mix of history and fiction to reveal the story.

What terrific performances from Fahaad, Lal, Jayasurya, Chemban Vinod Jose, Jinu Jospeh.  Vinayakan as Chemban (Aloshi’s friend) has also given a superb performance. Rather the entire cast has given outstanding performances.

No exaggerated dialogues are exchanged between the characters. So thoughtfully written and directed. Various emotions anguish, hatred, fear, vengeance etc. are all projected through non-verbal expressions, worth mentioning. Even the love angle between Aloshi and Martha is played in such a subtle manner. The item number by Amala Paul is well shot but seemed out of place.

The movie finishes with a beautiful dialogue: People like Aloshy who have travelled all around the world and tolerant in nature will change the world one day.

Iyobinte Pusthakam is a masterpiece with perfect amalgamation of Direction, Story, Screenplay, Star Cast, Performances and Visuals.


Rating: 4.5 /5